Over 35 years since first Sittin’ In together, Kenny Loggins and Jimmy Messina are again side-by-side in Loggins’ living room. The two men are in the early stages of putting together a new nationwide tour that picks up where 2005’s hugely successful “Sittin’ In Again” reunion tour left off.
All this shared activity marks the unexpected and unlikely return of the most successful duo of the early Seventies – a group whose most enduring songs were so well crafted that they have never really gone away. At the same time, Loggins & Messina find themselves rebuilding the personal connection that was lost long ago.
“This is less about a musical reunion and more about reuniting a relationship that’s become more of a friendship than ever before,” says Jimmy Messina, “It’s funny how our separate journeys have somehow brought us back around, into each others lives again,” Kenny Loggins says.
Loggins And Messina Full Sail Sacd
Referencing Full Sail, LP, Album, RE, RM, SD 16606 Nice production work by Jim Messina, excellent sidemen backing up the headliners, and a quality half-speed master from the original tapes. Into their music or not, you have to admit this is a good listen. So, by public demand, this accidental duo was created. In the next few years, a series of albums would follow in rapid order – 1972’s Loggins & Messina, 1973’s Full Sail, 1974’s double-live On Stage, the same year’s Mother Lode, 1975’s cover song set So Fine and 1976’s Native Sons.
Though Loggins & Messina’s first greatest hits collection was called Best of Friends, both men confess that their relationship has long been a complex and sometimes difficult one. When they first met, Jimmy Messina was already a well-established success story, having produced and played with the legendary band Buffalo Springfield and later with the country-rock pioneers Poco. Loggins, meanwhile, was a young singer-songwriter with far less experience, but with talent to burn as evidenced by early compositions like “House At Pooh Corner” and “Danny’s Song.” Then Sittin’ In (1971), originally envisioned as a one-off joint release intended to introduce Loggins as part of a Messina six-album production deal with Columbia Records, became a major smash hit.
So, by public demand, this accidental duo was created. In the next few years, a series of albums would follow in rapid order – 1972’s Loggins & Messina, 1973’s Full Sail, 1974’s double-live On Stage, the same year’s Mother Lode, 1975’s cover song set So Fine and 1976’s Native Sons. The Best of Friends collection followed later that year and in 1977 another live album fittingly called Finale. With that, Loggins & Messina, who had sold sixteen million albums and become one of rock’s most popular draws, was over and apparently done.
![Sail Sail](https://www.music-bazaar.com/album-images/vol1002/447/447588/2262150-big/Full-Sail-2-picture.jpg)
Loggins And Messina Full Sail Album
In retrospect, the once close connection between Loggins & Messina was torn apart by the unusual nature of their working relationship and by what Messina calls a “divide and conquer strategy that’s been around since Napoleonic times.”
“The trouble with duos is inevitably it becomes a competition,” explains Loggins. “We were just kids in search of our individuality. Being suddenly cast in a duo makes it very hard to find yourself. You begin to blame your partner for your own confusion. And everybody wants to get on your good side by convicing you that your partner is the problem.”
Loggins and Messina in 1972 | |
Background information | |
---|---|
Origin | United States |
Genres | Pop rock, country rock[1] |
Instruments | Guitar |
Years active | 1971–1976, 2005, 2009 |
Labels | Columbia |
Associated acts | Buffalo Springfield, Poco |
Website | logginsandmessina.com |
Past members | Kenny Loggins Jim Messina |
Loggins and Messina is an Americanrock-pop duo consisting of Kenny Loggins and Jim Messina, who achieved their success in the early to mid-1970s. Among their well-known songs are 'Danny's Song', 'House at Pooh Corner', and 'Your Mama Don't Dance'. After selling more than 16 million records and becoming one of the leading musical duos of the 1970s,[2] Loggins and Messina broke up in 1976. Although Messina would find only limited popularity following the breakup, Loggins went on to further success in the 1980s. In 2005 and again in 2009, Loggins and Messina reformed for tours in the United States.
History[edit]
Initial career 1971–1976[edit]
Jim Messina, formerly of Buffalo Springfield and Poco, was working as an independent record producer for Columbia Records in 1970 when he met Kenny Loggins, a little-known singer/songwriter and guitarist who was signed to ABC-Dunhill as a staff songwriter.[3]
The two recorded a number of Loggins' compositions in Messina's home living room. When Columbia signed Loggins to a six-album contract (with the assistance of Messina), recording began in earnest for Loggins' debut album, with Messina as producer. Messina originally intended to lend his name to the Loggins project only to help introduce the unknown Loggins to Messina's well-established Buffalo Springfield and Poco audiences. But by the time the album was completed, Messina had contributed so much to the album - in terms of songwriting, arrangement, instrumentation, and vocals - that an 'accidental' duo was born.
Their debut album was released November 1971 as Kenny Loggins with Jim Messina Sittin' In. The album's first single release, the Caribbean-flavored 'Vahevala' (or 'Vahevella' or 'Vaheevella'), found top 3 success on Chicago's WCFL on 18 May 1972.[4] 'Vahevala' and 'Nobody But You' both reached the Hot 100. Although at first the album went unnoticed by radio upon release, it eventually gained traction by autumn 1972, particularly on college campuses, where the pair toured heavily. Loggins' and Messina's harmonies meshed so well that what was begun as a one-off album became an entity unto itself. Audiences regarded the pair as a genuine duo rather than as a solo act with a well-known producer. Instead of just continuing to produce Loggins as a sole performer, they decided to record as a duo – Loggins & Messina.[3]
'When our first album, 'Sittin' In,' came out, we started receiving a lot of excitement about the music and good sales,' Messina recalled in 2005. 'We had a choice. It was either I now go on and continue to produce him and we do the solo career or we stay together and let this work. For me, I did not desire to go back out on the road. I had had enough of that, and I wanted to produce records. But Clive Davis (then president of the record company) intervened and said, 'You know, I think you'd be making a mistake if you guys didn't take this opportunity. Things like this only happen once in a lifetime. It may merit you sleeping on it overnight and making a decision that will be in your best interest.' He was absolutely correct. Kenny made the decision as well. It delayed his solo career, but it gave him an opportunity, I think, to have one.'[2]
Messina assembled The Kenny Loggins Band by summoning old friends, bassist Larry Sims and drummer Merel Bregante, formerly of The Sunshine Company, multireedist Jon Clarke, and violinist/multireedist Al Garth. Famed Grammy-winning keyboardist, songwriter and record producer Michael Omartian played on the debut album, but did not join them on tour, although he played keyboards on the second and third albums. Los Angeles-based session percussionist Milt Holland played on each of the duo's studio albums, but like Omartian, he did not tour with them either.[5]
Over the next four years they produced five more original albums, plus one album of covers of other artists' material, and two live albums. They sold 16 million records and were the most successful duo of the early 1970s, surpassed later in the decade only by Hall & Oates.[2] They charted three Top 20 singles from the second and third albums: 'Your Mama Don't Dance' (#4), 'Thinking of You' (#18), and 'My Music' (#16). Their work was covered by other prominent artists, including Lynn Anderson, who recorded 'Listen to a Country Song' in 1972 and reached #3 on the charts, and Anne Murray, who reached the U.S. top ten with 'Danny's Song' in early 1973 and the U.S. top twenty with 'A Love Song' in early 1974. A greatest-hits album, The Best of Friends, was released a year after the duo separated. The later studio albums often found both Loggins and Messina more as two solo artists sharing the same record rather than as a genuine partnership. As both Loggins and Messina noted in 2005, their collaboration eventually became more a competition.
Never really a team of true equals because of the teacher–apprentice nature of their music experience levels, the pair had by early 1976 quietly, amicably parted to pursue solo careers, following the release of Native Sons.[3] Prior to the duo's final tour, Loggins accidentally cut his hand with a craft knife while practicing his wood-carving hobby at home, which required surgery and prevented him from playing guitar for most of their final tour. After a final concert in Hawaii, the duo split and went on to solo careers. Messina found solo success elusive, but Loggins went on to become one of the biggest hit makers of the 1980s.
Reformation[edit]
The two reunited in 2005 to choose tracks for an expanded compilation album of singles and album cuts The Best: Sittin' In Again, which proved successful enough for them to embark on tour together. Their successful 'Sittin' In Again' tour was launched in mid-2005 and played out the remainder of the year. They also released an album that year of the tour. 'Every couple of years we'd talk about it, but I was having too much fun as a solo artist,' Loggins said that summer. 'It was very rewarding for me, and I wasn't ready to share the reins. I still had a lot of stuff to do on my own, to prove myself and to express myself, in a way that wouldn't have fit in with Loggins & Messina.'[2]
The two were pleased enough to consider future Loggins and Messina projects and the two also toured in 2009. 'Like most relationships, we were a moment in time,' Loggins said. 'It's just really fun to be able to go back and celebrate that and just sort of really honor each other as grown men, in a way we never really did back then. We were young and competitive and didn't realize that it wasn't necessarily all about getting your way, but you learn that if you grow up.'[2]
Their backing band changed from album to album, with the core members listed below. Many albums featured backing members who were well known in their own right; John Townsend and Ed Sanford, later of the Sanford-Townsend Band ('Smoke from a Distant Fire'), contributed vocals and songwriting to the Native Sons, their final studio album.
Members[edit]
- Kenny Loggins – vocals, rhythm guitar, acoustic guitar, harmonica
- Jim Messina – vocals, lead guitar, acoustic guitar, mandolin, dobro
- Supporting personnel
- Al Garth – tenor saxophone, bass clarinet, alto saxophone, violin, recorder, viola, percussion, steel drum and vocals
- Jon Clarke – baritone saxophone, English horn, flute, tenor saxophone, soprano saxophone, bass saxophone, bass clarinet, recorder, bass flute, oboe, steel drum and percussion (died in 2005)
- Larry Sims – bass and vocals (died in 2014)
- Merel Bregante – drums, percussion, timbales and vocals
- Milt Holland – percussion (died in 2005)
- Michael Omartian – keyboards, percussion and concertina
- Vince Denham – flute, bass clarinet, alto, soprano and tenor saxophone
- Don Roberts – clarinet, alto flute, alto, baritone, soprano and tenor saxophone
- Steve Forman - percussion, vibes
- David Paich - keyboards
- Dave Wallace - synthesizer
- Chris Brooks - koto
- Michel Rubini - keyboards
- Richard Greene – violin, mandolin, mandocello
- Rusty Young - dobro
- Vince Charles - steel drums
- Victor Feldman - percussion
Discography[edit]
Studio albums[edit]
Year | Album | US Top 200 | Australia[6] | Certifications |
---|---|---|---|---|
1971 | Sittin' In | 70 | - |
|
1972 | Loggins and Messina | 16 | 61 |
|
1973 | Full Sail | 10 | - |
|
1974 | Mother Lode | 8 | 89 |
|
1975 | So Fine | 21 | 83 | |
1976 | Native Sons | 16 | - |
|
Live albums[edit]
Year | Album | US Top 200 | Australia[6] | Certifications |
---|---|---|---|---|
1974 | On Stage | 5 | 97 |
|
1977 | Finale | 83 | - | |
2005 | Live: Sittin' In Again at the Santa Barbara Bowl | - | - |
Compilation albums[edit]
Year | Album | US Top 200 | Certifications |
---|---|---|---|
1976 | The Best of Friends | 61 |
|
1980 | The Best of Loggins & Messina | - | |
2005 | The Best: Sittin' in Again | - | |
2006 | Their Music | - |
Charted singles[edit]
Year | Song | US 100 | CB 100 | US AC | Australia[6] | Certifications |
---|---|---|---|---|---|---|
1972 | 'Vahevala' | 84 | - | - | - | |
'Nobody But You' | 86 | - | - | - | ||
'Your Mama Don't Dance' | 4 | 5 | 19 | 30 |
| |
1973 | 'Thinking of You' | 18 | 11 | 7 | 65 | |
'My Music' | 16 | 13 | 10 | 65 | ||
1974 | 'Watching the River Run' | 71 | - | 36 | - | |
1975 | 'Changes' | 84 | - | - | - | |
'Growin' | 52 | - | 18 | - | ||
'I Like It Like That' | 84 | - | - | - | ||
'A Lover's Question' | 89 | - | - | - |
References[edit]
- ^'Loggins & Messina | Biography & History'. AllMusic.
- ^ abcde'Together again: Kenny Loggins and Jim Messina bring their hits to Biloxi,' by Ron Thibodeaux, The Times-Picayune (New Orleans), July 29, 2005.
- ^ abcColin Larkin, ed. (1997). The Virgin Encyclopedia of Popular Music (Concise ed.). Virgin Books. p. 766. ISBN1-85227-745-9.
- ^'WCFL - all hit music in the Midwest'. Oldiesloon.com. 1972-05-18. Retrieved 2013-01-05.
- ^Flans, Robyn (2004-09-01). 'Classic Tracks: Loggins & Messina's 'Vahevala''. Mixonline. Retrieved 2015-08-26.
- ^ abcKent, David (1993). Australian Chart Book 1970–1992 (illustrated ed.). St Ives, N.S.W.: Australian Chart Book. p. 180. ISBN0-646-11917-6.
External links[edit]
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